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Stream Sweet Dreams Online. Movie Title: Sweet Dreams Average customer review: Sweet Dreams is available for streaming or downloading. Click Here to Stream or Download Sweet Dreams

This movie, featuring mountainous performances by Jessica Lange as Patsy Cline, and Ed Harris as Charley Dick, Cline’s husband, chronicles the life and times of Patsy Cline, her rise to stardom, and her all too brief believe on it.

Jessica Lange gives a fabulous, believable performance as Patsy Cline. Ed Harris, as her hard drinking, womanizing, and ultimately abusive husband, plays his role to perfection. John Goodman has a dinky role in the film as Charley Dick’s edifying ol’ boy, meat head friend.

The movie shows how this poorly educated, young woman with a throaty and achingly rich protest went on to become one of the greatest crossover talents ever to near out of Nashville. Her flame burned brightly for several years, until it was extinguished when a plane in which she was a passenger crashed headlong into a mountain.

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Her music runs throughout the entire film. If you are not a Patsy Cline fan when you first sit down to idea this film, then you surely will be by the time you carry out doing so. No one sang with more feeling than Patsy Cline, and she evidently lived her life the same procedure. This is a terrific movie and well worth watching!

Reality is generally more complicated than any motion characterize can possibly convey–and such is the case with SWEET DREAMS, the 1985 bio-pic of singer Patsy Cline, which ran into a firestorm of criticism at the time of its release. For Patsy Cline was not a figure from the remote past. She and her life were extremely well recalled by family, friends, and co-workers, and one and all attacked the film as an extremely improper portrait of her, her husband Charlie, and her life and career.

To a sure extent, the validity of these complaints about the film are a matter of understanding. But it does seem likely that the script softened Cline’s harder edges and over-emphasized the stormy nature of her marriage in order to cast her in the role of victim. What isn’t plan is the draw the film treats her career: it didn’t happen like that, and while the film presents her as a colossal star at the time of her death in truth she had released only a handful of widely distributed records by 1963–and while some of them were astronomical hits, they weren’t quite as huge as you might contemplate. Even the well-known “Sweet Dreams” never made it to the top place on any music chart, and it was not until well after her death that she received stout recognition for her powerful work.

So instead of truth, or even a satisfactory approximation of it, SWEET DREAMS gives us the memoir, the folk myth of the rough-and-tumble girl with the grand, emotional snarl who came from no where, married an abusive husband, and leaped into stardom that was crop short by an untimely death. And as myth, the film works very well.

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The worn point of the film is the script, which plays largely to a “domestic drama” aspect and tends to composed out the characters in a “santized for your protection” sort of procedure. The direction and cinematography are no large shakes either, and ultimately SWEET DREAMS looks very mighty like a made-for-television movie. But the cast carries it off in stunning style. Jessica Lang looks no more like Patsy Cline than I do, and her lip-scynchs to Cline’s work is rather hit-and-miss, but she gives a truly memorable performance; Ed Harris equals her in the role of husband Charlie, and together they build a synergy that has astronomical power. The supporting cast is also quite helpful, with Ann Wedgeworth a standout in the role of Cline’s mother Hilda.

And then there is that soundtrack. Even if you’ve heard all these songs a thousand times, they’re unexcited worth hearing again. Patsy Cline was truly an extraordinary artist. But the film does something irregular with them: the bulk of the legend is station during the 1950s, but there is not a 1950s-era Cline vocal to be heard in the entire film, everything is taken from her glory years at MCA between 1960 and 1963. And very often it seemed to me that the new scoring of Cline’s songs had been replaced with unusual arrangements.

And that, ultimately, is rather typical of the film as a whole. Unprejudiced a cramped change here, impartial a miniature inaccuracy there, and while they all seem puny individually, they add up to a fairly critical distortion collectively. The performances produce it worth watching, and they bring it in at a solid four stars. But if you’re expecting anything more than the glossy account of Patsy Cline, you won’t score it here.

–GFT (Amazon.com Reviewer) –
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Watch Doctor Dolittle Online. Product: Doctor Dolittle Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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What were you thinking? I’ll admit the 1998 remake was absorbing, the method “Wings” is at one o’clock in the morning when nothing else is on, but, like “The Nutty Professor” Murphy’s kid-friendly remake looks like a crime against cinema when placed next to its source material. First off, this is a musical with a fair win by Leslie Bricusse (who wrote the songs for “Willy Wonka” and “Close the World, I Want To Derive Off” with longtime partner Anthony Newley, who stars in this film) . Also, Rex Harrison WORKED to learn to talk to animals. It wasn’t a magical power he was born with, the man studied! He doesn’t need cheesy (if well-cast) celebrity voiceovers and computer-generated mouth-movement to convince us, either. So if you want your kids to choose for second best and, as a result, scoot you to mediocre kiddy-fair after mediocre kiddy-fair (which, in the age of “The Cat in the Hat” is fine unpleasant) let ‘em have Eddie Murphy. But if you want your kids to have taste and indulge in a quality share of filmmaking, rent this film immediately. Even if you have no kids, choose it, rent it, whatever.

If you haven’t seen the underrated current DR. DOLITLE in widescreen stereo as you will be able to on DVD, you haven’t seen it! The photography is outstanding (shot in TODD-AO 70MM) and the orchestrations and songs sound enormous! The Laser Disc was the only plot to experience this oustanding family musical…until now. Sadly, though, two of the films best songs, “Where Are The Words” and the heavenly “Something In Your Smile” were chop from the film fair before its release and are not restored here as hoped; be definite to check them out on the soundtrack, available on CD (you can hear the melodies play in the overture, opening credits, and exit music) . Smooth, this is a mammoth looking, big sounding musical for everyone! Many muusicals of the slow Sixties were unfairly compared (or indeed did try to emulate) “The Sound of Music” and “Mary Poppins” As time has gone on, they can be finally apprecaited as the outstanding entertainments some of them are, like DOCTOR DOLITTLE.
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Watch FLCL Online. Product: FLCL Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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Anime can be sparkling irregular — objective ogle at series like “Paranoia Agent” and “Boogiepop Phantom.” Really uncommon, sometimes impossible to totally understand.

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But for sheer strangeness and kookiness, the winner has got to be “Fooly Cooly (FLCL) .” Even as it pokes fun at typical anime, it tells the surrealist epic of a very unfamiliar coming-of-age, complete with queer plots, oddball characters, and robots sprouting out of a young boy’s head.

Naota is a young boy living what he sees as an oppressively unimaginative existance, in a still city dominated by the Medical Mechanica building. The closest thing to excitement is fending off the advances of his brother’s alarmed girlfriend Mamimi.

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Then sudenly a girl on a Vespa runs him over, resuscitates him with a smooch, and then bashes him over the head with a bass guitar. That evening, Naota finds that instead of a bump, he has a horn growing out of his head, and no opinion what it is or how to come by rid of it.

Despite his efforts to avoid her, Naoto’s kooky father has hired the crazy Vespa girl, Haruko, as a housekeeper. To develop matters worse, his “horn” turns out to be a robot and a giant mechanical hand — springing out of a channel in his head. And you concept YOU had problems.

The five episodes that follow don’t accumulate any more normal, as Naota must deal with the Mayor’s daughter getting his odd power, cat ears, more robots, baseball, bombs, the Pirate King Atomsk, seaweed eyebrows, and the interplanetary Medical Mechanica which may or may not be intent on galactic domination. It all clashes in the final episode.

For newbies, “FLCL” is probably the WORST anime to commence with. It’s a parodic mishmash of anime in-jokes — giant robots, fanservice, boy falls for kooky abusive alien girl — and a storyline that is bizarre to the point where you may not be able to understand what’s going on. But oh, is it a fun traipse.

As if the dwelling weren’t hyperactive enough, the animation is exaggerated and crazy, fleshy of distorted faces and wild robot battles. Lots of action and overdramatic dialogue (”OH NO…. OOOOOOOOO… an American GIRLFRIEND!”) . As if it weren’t amusing enough, the director sprinkles in homages to other shows, ranging from other anime to “South Park.”

And the characters are as bizarre as the record itself. Naoto starts off as a typical bored preteen, but slowly gains confidence and guts as he gets immersed in the weirdness. Haruko is a completely off-the-wall kook who is apparently an alien. And there’s a bunch of other uncommon characters — petrified pyromaniacs, wistful robots, preteen pervs, and a guy from Interstellar Immigration.

“FLCL” is perhaps the strangest anime in existance. It’s also enough to blow the top off of your head, with the peculiar characters and wildly surrealist status. Fooly Cooly!

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Streaming Samurai Trilogy Box Set - Criterion Collection Online. Movie Title: Samurai Trilogy Box Set - Criterion Collection Average customer review: Samurai Trilogy Box Set - Criterion Collection is available for streaming or downloading. Click Here to Stream or Download Samurai Trilogy Box Set - Criterion Collection

While I don’t deem these films are quite up to the level of the other titanic Japanese samurai films of the 1950s (such as Sansho the Bailiff & Seven Samurai), the really tall things about the Samurai Trilogy for me were in the worthy utilize of natural surroundings, the radiant Japanese leading ladies, and above all being able to discover Toshiro Mifune starring in color.

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Regarding the DVD transfer, let me first say that I am a frugal guy who does not contemplate that any DVD, however beneficial the transfer, is ever worth 30 bucks. That said, I don’t know what all the fuss is about over the image quality on these disks. The film was not released in widescreen so the full-screen image is just. The only scenes which are perhaps too dismal are in the waste of the second film, because it was filmed that device originally! The VHS is even darker as far as I could screech. I have 20/40 vision, yet I had absolutely no pickle reading the subtitles ever in any of the three films. The image quality in general is not Jeanne d’Arc but it certainly never came discontinuance to impairing my ability to savor the films. Finally, there are no special features beyond theatrical trailers on any of the DVDs, but the three-pack is also priced cheaper than any other Criterion issues (less than $20/disc) so why complain!

This film marks the beautiful conclusion to the Samurai Trilogy and the ascent of Musashi Miyamoto to spiritual perfection, Musashi Kensei (The Sword-Saint) . TOSHIRO MIFUNE, one of the world’s greatest actors, delivers a memorable performance as the master at the peak of his enlightenment.

Several years have goneby and Musashi Miyamoto has emerged invincible in over SIXTY duels. Interestingly enough, one sees no pride or ambition in Musashi’s manner. He turns down job offers from primary lords, including the Shogun’s martial arts teacher. In the meantime, Kojiro Sasaki (Koji Tsuruta) regrets the small recognition he has so far received, and seeks to duel Musashi and carry out immortal fame.

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Otsu (the blooming Kaoru Yachigusa), the quintessence of loyalty, has fervently sought to peruse Musashi once again, having parted unwillingly in Portion II. In like manner, Akemi (charming Mariko Okada) maintains hope of seeing Musashi, having through a tragic turn of events injure up as a courtesan in a geisha house. Yet both women defy their seeming fates and separately discover Musashi, a testament to the power of esteem. Musashi himself has not forgotten his care for for Otsu, expressed in his Kwannon statuettes made in her likeness. In a poignant paradox, Musashi escapes fame and the follies of this world as a farmer, having once been in that region and dreaming of fame.

In the meantime, Kojiro’s skill is finally recognized and he comes under the consume of the Shogun.

The romance between Musashi and the two women is tragically resolved, and a battle between Musashi and a group of bandits proves very costly. Yet Kensei maintains his poise and graciously accepts Kojiro’s challenge to a DUEL AT GANTRYU ISLAND. The perfection of Musashi’s technique evident in the fact that he carves an oar into a sword on the hobble to the island, using wood against the steel of the deadly Swallow Slit. ONE OF THE MOST MOMENTOUS SCENES IN JAPANESE MOTION Narrate HISTORY.

Hiroshi Inagaki once more deliviers a beautifully directed and cinematographed motion report. The color is surely the finest in the trilogy, in particular the opening sequence with Kojiro amidst the waterfall and rainbow, and the duel at dawn with its resplendent red and gold -Atsushi Yasumoto’s photography is shining.Ikuma Dan’s fetch is less triumphant and more collected and contemplative (though no less dramatic) . The pacing is more deliberate, but the strong characters and riveting storyline more than compensate.

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This duel establishes MUSASHI MIYAMOTO as the Greatest Swordsman in History. After this battle, he no longer uses proper swords in combat, only wooden ones. He goes on to write A BOOK OF FIVE RINGS (a must-have), “A guide for men who want to learn strategy,” required reading for kendo students and Japanese businessmen to this day. Musashi Miyamoto Kensei represents the ability in all of us to do perfect belief.
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Buy The Melancholy of Haruhi Suzumiya, Volume 1. Product: The Melancholy of Haruhi Suzumiya, Volume 1 Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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One of the most anticipated series of the year arrives to American territory. Haruhi Suzumiya is your typical perv-weirdo who’s obsessed with everything that is paranormal and is not eager to consume her precious time with ordinary humans. The events of every day are narrated by Kyon the only male student that became Haruhi’s pal. Determent to indicate the impossible or possible Haruhi and Kyon build the S.O.S club, and all its members are as unfamiliar as Haruhi.

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Last year it was broadcasted in japan and became a phenomenon like Pani Poni Traipse, not that the Glum of Haruhi Suzumiya is alike it, is because “Kyoto Animation” made this series a master portion, every character, every background, light and shadow effects are as detail as something you never glimpse for an anime.

For chronicle, cleaver sense of humor, handsome render backgrounds and music I’ll represent it as not like study candy but like discover protein. The only complain that I have is the third episode, it didn’t note remarkable comedy it was more like space development, serene you gather to know the moral identities of the S.O.S members.

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The DVD comes with 4 episodes:

Episode 0

Episode 1

Episode 2

Episode 3

I recommend you to gawk episodes 1 through 3 first then episode 0.

This is a very orginal and creative title. When I watched the imports, it gave me a new interest in venerable steriotypes. You got the logical alien, the sexy timetraveler, the omipotent being who can raze the universe, and the annoying esper who knows everything that you want to punch in the face. All this unbelievable adventures takes location in a high school drama setting.

Basically a guy nicknamed as Kyon unbiased recently matured enough to relise there is nothing special about his life, a completely normal boy who goes to school. This all changes when he meets Haruhi Suzumiya, who is obessed with the paranormal and everything else you score in a Otaku(crazy fan), and utterly bored with her life in general. Because of obvious series of events, Kyon is conscripted in launch a club with Suzumiya called the SOS brigade. The club is has no trusty purpose except to solve mysteries and perceive paranormal activities. Ironiclly an alien, timetravler, and a esper join the group in disguise revealling there nature and motive to Kyon; the only normal person in the club. All three of them say Kyon that Suzumiay unknowingly is the a remarkable being that can reshape reality to her will. Their mission to retain Suzumiya occupied with fun activities, with the alternative being the destruction of autoevolution/time line/universe.

The main chronicle arc actally takes a aid seat, with mainly unprejudiced drama/comedy antics you procure in many anime. there was no right action for the most portion, but I couldn’t conclude watching until I finished it in one day. The main character Kyon with is pessimistic outlook on life, and is tentency to gaze place holes, and own a dry sense of humor; made me identiy with him easilly. The animation is high quality in my idea, and the music…..is abolutely incredible! I spent half the day unprejudiced listening to the ending credits!

So in short the Wretched of Haruhi Suzumiya is a superb well rounded title that has everything a anime newbie would like, but unexcited give someing unusual for those long time otakus.

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Watch Flawless Movie Online. Movie Title: Flawless Average customer review: Flawless is available for streaming or downloading. Click Here to Stream or Download Flawless

Laura Quinn (Demi Moore) is a rarity for 1960. She is a Vice President with the world’s largest diamond wholesaler, based in London. She watches in frustration as all of her male co-workers are promoted around her, leaving her with the same responsibilities, the same office, the same schedule. She comes in early every day and leaves last every night, yet her boss Sir Milton Ashtoncroft (Joss Ackland) doesn’t seem to inspect. Ashtoncroft is a shady character at best, but Quinn realizes she will never be able to find a comparable job anywhere else. Mr. Hobbs (Michael Caine), one of the many janitors, has worked for the same company for years. In his nightly rounds, he has made observations and approaches Ms. Quinn with an conception. He could, with her assistance, consume a tiny handful of diamonds from the company vault, enough to location them each up for a long time. They could each dash the lives they are trapped in. Quinn is dubious but Mr. Hobbs shows her how he would do it, and she is on board. But it looks like Mr. Hobbs has other ideas and other motives.

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“Flawless”, directed by Michael Radford (”Il Postino”) is an captivating, overlooked film. At it’s heart, “Flawless” is a caper film “based on a suitable myth”, but it presents so many other ideas and themes, making it more complex and contemplate able.

Michael Caine is, as always, sizable. Mr. Hobbs is the agreeable dilapidated man you stare hobbling along, satisfied with his state in life, always interested and willing to do his job. But as we learn more and more about him, we seek there are many other levels to his character. Caine is a tall actor, a subtle actor and he reveals these layers slowly making them more believable and surprising. It isn’t Caine’s best performance ever, but Mr. Hobbs is immensely study able.

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Demi Moore is also well-behaved as Laura Quinn, an American woman working for an international firm in London in 1960. She realizes how hard she has to work to occupy this place, so she comes to work early and leaves slack, always checking in with security as she does so. But what does this glean her? A lot of lonely nights at her flat, eating dinner alone. As the sage progresses, we gape Quinn’s aggravation with her dwelling, but because she has to calm fill her persona, she can’t become too emotional or upset. This becomes an asset to their conception.

And when the diamonds are stolen, the company calls in an investigator, Finch (Lambert Wilson) . Perhaps the best thing about “Flawless” is that everyone is shapely smart; Mr. Hobbs comes up with the conception, Quinn contributes definite qualities and Finch begins to suspect determined people as he tries to figure out how the robbery was accomplished.

Michael Radford, who gained a lot of attention with “Il Postino”, has struggled since, releasing a series of films that were either critically maligned, rapidly forgotten by the public, or both. Unfortunately, “Flawless” won’t change his fortunes, but it is a generous film.

As the anecdote and the heist fade, he uses the canvas as a arrangement to introduce many other themes, helping to attach the time and setting for the film. The company Quinn and Hobbs work for is a tremendous diamond collective based in Botswana. In addition to the heist, the company officers have to handle the press who are circling because of the daily protests about the company’s involvement with blood diamonds. Laura Quinn recognizes she is a rarity; a female executive at a enormous corporation in London, and an American woman at that. So this causes her to be a bit tentative and reluctant to join Hobbs idea. Instead, she would rather continue trying to work hard; continue trying to beat at the glass ceiling. As the anecdote unfolds, and she begins to realize how her male co-workers treat her, she knows she will never rise above her novel station.

The anecdote takes some unexpected turns because Hobbs and Quinn aren’t just with one another. And this provides a quiet level of excitement. When we finally learn the motive slack the robbery, another theme is introduced.

If this film is, as stated, “based on a proper account”, it is a account that far ahead of its time. It is for this reason that I have to wonder how distinguished of this tale is based on accurate events. I suspect not great. But “Flawless” is a pleasurable diversion and a ample film to recognize on DVD.

There’s nothing really imperfect with this film - it fair seems to tumble sort of flat. There isn’t the chemistry there should be between Michael Caine and Demi Moore. And their diamond heist belief is only allowed to proceed forward by virtue of a couple of highly astounding strokes of satisfactory luck - such as having a pair of binoculars topple into Moore’s hands at impartial the fair moment.

There is also something a petite disturbingly harsh and unconvincing about the lighting and make-up work on this film. The stars peruse prematurely mature at the launch of the movie. Then as the scene arcs to Demi Moore as an former woman, she looks even more unconvincing as a senior. Early movies passe to do a notoriously dreadful job of making young people behold passe. Perhaps it wasn’t the fault of the make-up artists. It might be even more difficult to design a young person spy primitive than it is to manufacture an archaic person inspect young. In the last decade or so though, the art of make-up and prosthetic devices seemed to grow equal to the task. But now “Flawless” plot the art help again with Moore’s obviously adventitious wrinkles.

While this is primarily a caper film, a strong secondary theme is “You’ve advance a long plot, baby!” This movie is effective at showing how precarious Demi Moore’s area was in the 1960’s when she was the only female executive in a diamond brokerage firm. She has to budge a thin line between coming up with a stream of innovative, profit-making ideas for the firm - and conforming to corporate culture and consensus. Whichever side of that line she falls on, she is always in worry of being undermined by her male co-workers who recall priority when it comes to corporate advancement.

However, I’m not obvious the movie makes its case for how noteworthy better things are nowadays when it shows fresh executive women being noteworthy simply by virtue of having frequently ringing cell phones and having cultivated a bustling, confident plod.

This DVD unfortunately has no full-length Director’s commentary, only fragmentary “Making Of” commentaries. I would have liked an accompanying voice-over that explained a number of the confusing position points and filled in what I opinion were some missing links in the place.

There were also no English subtitles for this film. Again, I missed those, especially in the early fraction of the film when Caine and Moore content in such hasty sotto vocce that I had peril catching everything they said.

All in all, this movie has some merit, but it’s sufficient to rent it. There’s nothing here to warrant making it a portion of your permanent collection.
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White Christmas Review. Product: White Christmas Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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This review refers to the Widescreen Collection(Paramount) DVD edition of “White Christmas”…

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This DVD should be held up as an example of what DVDs are all about.The transfer and restoration of this 50 year faded film is beneficial. It is the reason we are willing to exhaust a limited more to upgrade from VHS and are awed when we explore the amazing results. Filmed in “VistaVision”, the widescreen describe lets you lift in every scene of this extraordinary classic from edge to edge. The characterize is definite, captivating and in graceful technicolor.The colors are shapely and vibrant.

You have the choice of viewing it in DD5.1 surround or the restored Mono. For those looking for some special features, Rosemary Clooney helps out with a retrospective interview and also commentary. There are English subtitles for those needing them and may also be viewed in French(mono) .

The film is a adore in itself. Bing Crosby, Danny Kaye,Rosemary Clooney,and Vera-Ellen are the stars of this 1954 musical with songs by Irving Berlin that you’ll want to drawl along with and sustain humming long after the film has ended. Directed by Michael Curtiz it’s a feel pleasurable film that although takes dwelling during the Christmas season, is one that you can pull out and examine anytime of the year.

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Bing and Danny were Army buddies, now a successful song and dance team and are out to support their accepted musty retired General(Dean Jagger),who is having distress coping with retirement. The General is now running a country inn in Vermont, but the tremendous scrape is there is no snow to bring up the tourists. Bing and Danny to the rescue, as they turn the inn into a showcase of talent, and topple for the Haines sisters along the procedure. Can these astonishing voices also bring the snow out of the sky? …well..you know.

This film is filled with Berlin’s fantastic tunes. When Bing takes Rosemary’s exiguous hand in his and croons “Count Your Blessings” to her..well it’s movie heaven. Rosemary also treats us to several numbers, Vera-Ellen does some wonderful hoofing, and Danny clowns and keeps us smiling like only Danny can. And how distinguished fun is it watching Bing and Danny do the “Sisters” number together? …alot! Then there’s the goose bump evoking, wonderfully nostalgic scene of the four of them singing “White Christmas” together with the Winter Wonderland of Vermont as a backdrop.I would be remiss if I didn’t mention the amazing character actress Mary Wicks, she’s a broad busy-body who causes misunderstandings, and also support an spy out for George Chakiris and Barrie Promenade.

Thanks Paramount for bringing us this gargantuan traditional classic holiday film on this broad DVD…indulge in…Laurie

also recommended:

It’s A Fantastic Life (1946)

The Bells of St. Mary’s

or both together on DVD:

Christmas Collector’s Pack (The Bells of St. Mary’s / It’s a Incredible Life)

Recently, Paramount has offered us fabulous fresh DVD-issues of classics like To Collect a Thief and Amusing Face, both shot in Vista-Vision, and now looking better than ever on home video thanks to Paramount using modern camera materials for the transfers. Naturally, I expected that the same loving treatment would be given an old-fashioned common like White Christmas, which was the first feature film shot in Paramount’s agreeable wide-screen process called Vista-Vision.

Not so! This novel “remaster” is fair as dreary-looking as the older DVD. Grainy and soft with an unstable explore and tiring, colors except in some brightly lit “performance” scenes. Also lots of dirt marks and scattered speckles, plus an unpleasant splice or two. And NO current extras! Where is the expected featurette about the Vista-Vision system - newly made or at least some conventional promotional reel taken from a shelf in the archives? A large disappointment! And by the design, where are all the many beloved Paramount classics from the fifties and sixties that have not yet been released on DVD? Not a single title in behold for the coming months. Shadowy.
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The most fabulous thing about the she-monster is the very

well-endowed (37-26-36) outmoded stripper/nude model Shirley

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Kilpatrick’s slinky, sexy ride in her skin-tight, ravishing spandex

body suit. She looks almost naked, the suit is so form-fitting (not

surprising, since the novel title was going to be The Naked

Invader.) In fact, according to the liner notes, it was so tight she

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couldn’t sit down in it, and had to rely on a back-board to lean
against between takes.

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She certainly doesn’t eye like a “monster!” She has not a single
line of dialog in the film, not even a state or declare, fair a wail at
the climax. This movie was evidently not only her debut on screen
but also her final appearance. She doesn’t seem to have ever been
in anything else. I first saw this movie on late-night TV benefit in
the `60s, I judge, and she’s the only thing I ever remembered about
it! Well, that, and the final scene where star Robert Clarke reads a
lengthy, ludicrous speech from a shrimp scrap of paper!

The whole movie is ludicrous, with awful acting, inane narration and
dialog, humorous residence, inept direction, and homemade special effects
that Ed Wood would have been ashamed of, but it’s unruffled fun, a
perfect example of how an enterprising wanna-be film-maker can
borrow money (in this case unprejudiced $18,000!) and locations, and using
his friends and relatives and a few professionals, can churn out a
movie in a few days that makes a trim itsy-bitsy profit.

Writer/producer/director Ronald Ashcroft studied under the
master, Roger Corman, on Day the World Ended, and learned
how to do it. Actor Clarke learned from Ashcroft and he, too,
went on to try his hand with The Unsightly Sun Demon.

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This DVD edition has honest average image and sound quality, a
chapter index, and the theatrical trailer, but there’s also two pages
of liner notes by film historian Tom Weaver that’s very
informative, with quotes by Ashcroft. Add this one to your `50s
cult classic collection!

Here is a brief synopsis, followed by some of the other miscellaneous reasons I like this flick so much:

The AS-M (who kills with a mere touch) stalks a geologist, a ravishing socialite, and three kidnappers who are hiding out at the geologists’s isolated hilltop cabin during what may loosely be deemed “night.” Suffice it to say, some of them don’t live through it. Then there’s an ironic sort of ending that achieves absolutely no irony whatsoever because it is all despicable for a number of reasons. Essentially, it’s an extremely unpleasant man’s ‘Key Largo’ meets an equally impoverished man’s ‘Alien.’ Or you could sight at it as a precursor to ‘The Beast From Unnerved Cave,’ only quicker and sillier. (I guess I could add that it makes more sense than Conception 9, and is perhaps equal in coherency to Bride of the Monster. But somehow is more delightful than either, at least to me.)

The spaceship is represented in flight as a lit match; the actress playing the spacebabe split her skin-tight suit early during shooting, so she has to wait on away from the camera for the entire movie (actually, this is oddly effective) ; blaring chords sound when nothing is happening; people preserve referring to the resplendent alien lady as a bad monster; everyone keeps returning to the cabin for safety, even though the AS-M can and repeatedly does enter at will through a tremendous (and broken-out) window.

The funniest bit of all is revealed in the liner notes: the saga of the fill(s) primitive during filming. I won’t waste it for you, but it will invent me laugh and bawl forever. It is one of the most pathetically messed-up things I have ever heard happen in moviemaking, Battlefield Earth not withstanding.

If these things sound like a fun time to you, seize this movie speedy. Others beware.

I personally only wish I could have witnessed them making this movie at the time. That had to have been even MORE sharp.

P.S. The DVD transfer is unprejudiced OK, but I’m quite clear that’s only because the current film itself was heavenly shaky.
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Watch Moonwalking: The True Story of Michael Jackson Online. Movie Title: Moonwalking: The True Story of Michael Jackson Average customer review: Moonwalking: The True Story of Michael Jackson is available for streaming or downloading. Click Here to Stream or Download Moonwalking: The True Story of Michael Jackson

I grew up with Michael Jackson and lived through all the bad press, well this video has two psychologist picking Michael Jackson apart, bit by bit, piece by piece on his addictions, and plastic surgeries ect.. For me a true story would be telling Michael Jackson contribution for all humanity and let the past be in the past, in other words let a lying dog lie. I am sick of hearing about the 1993 charges, and the changing of his skin, who cares, the point is Michael had the true spirit of giving, he was an inspirtation to us all, and in his death he does not deserve to be picked apart and put under a microscope. The only good part to this video is it shows michael meeting princess diana, and some of his interviews. As I die hard fan I am boycotting any more bad press on behalf of a great legend. Don’t buy this video.

“Hard-hitting film of how a celebrity lifestyle conspired to destroy Michael Jackson?” The media and false allegations of child abuse was the only thing that conspired to kill the greatest entertainer who ever lived. The only “inner demon” Michael had was the desire to escape public judgement, media sensationalism and the parasites that used him as an ATM machine. His only desire was to be loved by the world. Shame on this studio release…bone pickers to the end.
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Sgt. Pepper’s Lonely Hearts Club Band Streaming. Movie Title: Sgt. Pepper’s Lonely Hearts Club Band Average customer review: Sgt. Pepper’s Lonely Hearts Club Band is available for streaming or downloading. Click Here to Stream or Download Sgt. Pepper’s Lonely Hearts Club Band

The first time I had seen this film was the summer of 1978. I was 7 years veteran, really into the music of The Beatles and had to sight this movie. This film was not a tribute to The Beatles, nor did the exact members of the group have anything to do with the movie. It was a fantasy film about the fictitious characters that The Beatles old in their songs off the “Sgt. Pepper” and “Abbey Road” albums.

The sage takes space in the make-believe town of Heartland where we are introduced to the fresh Sgt. Pepper and his Lonely Hearts Club Band. Twenty years after Sgt. Pepper dies, his grandson Billy Shears (Peter Frampton) decides to effect a recent Lonely Hearts Club Band with his friends, the Henderson Brothers (The Bee Gees) . The film continues with the success of the Lonely Hearts Club Band, the problems the citizens are having in Heartland with Mean Mr. Mustard (Frankie Howard) taking over the town and the Lonely Hearts Club Band helping Strawberry Fields (Sandy Farina) recover Sgt. Pepper’s instruments that Mean Mr. Mustard stole. They encounter many obstacles and hardships, but in the slay, snide is overcome and everyone is satisfied.

This film was not well received when it was released in 1978. Actually, everyone, including the critics and the public, hated the movie. The film was produced by Robert Stigwood (of ‘Grease’ and ‘Saturday Night Fever’ fame) and executive produced by Dee Anthony. Stigwood wanted to develop his name associated with new day musicals and had sunk 12 million dollars into “Sgt. Pepper.” He approached the project with a lot of enthusiasm and publicity. When it was released, it was a stout let down in the eyes of the critics and adults (who were teenagers when the unusual “Sgt. Pepper” was released) who went to behold the movie. According to Paul Nelson of ‘Rolling Stone’ magazine (October 5, 1978) “…Stigwood and Anthony not only produced one of the worst movies ever made, but also managed to trash whatever rock and roll reputations such seventies artists as Peter Frampton and The Bee Gees…” Two reasons for the hate of the film is the fact that no one spoke during the duration of the film (except for the narration done by the gradual George Burns who played Mr. Kite) and used Beatle songs were redone by current seventies artists. The hurry of the film in some cities was “…so short…that those who were lucky enough to blink may have missed it,” according to ‘Rolling Stone’ magazine (October 5, 1978) . I have never read a review on this movie from a critic who actually liked it. Only myself, my friends and my parents seemed to like this movie.

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While watching this movie and reading so many dreadful reviews about it, I composed liked it and notion it was done creatively. Musicals usually have dialogue with the songs to assist proceed the position along. In this musical, the only spoken words are the slack George Burns’ narration of the storyline. The Beatles’ songs and the position are intertwined and that’s what tells and moves the record along. The songs communicate to the audience whether a character was wonderful (”Strawberry Fields Forever”) or dreadful (”Mean Mr. Mustard”), it emphasizes what is happening in the scene (”She’s Leaving Home”), how a person feels for another one (”I Want You, She’s So Heavy”) . The songs also indicate feelings of cheerfulness (”Honorable Morning, Agreeable Morning”) and sadness (”Golden Slumbers” and “Carry That Weight”) . What a design of putting a movie together by telling a myth through musical dialogue! I don’t agree with the statement made by ‘Rolling Stone’ magazine that “…Sgt. Pepper is better on vinyl than it was on film.” I plan that for remaking some of the Beatles’ classic songs, these artists did a wonderful job. Some that I get particularly suited are Aerosmith’s “Advance Together” and Earth, Wind and Fire’s “Got To Come By You Into My Life.” The finale tops off the film with the entire cast and many other superstars such as Tina Turner, Bonnie Raitt, and Robert Palmer singing the reprise of “Sgt. Pepper’s Lonely Hearts Club Band.”

I saw this movie for the first time on television when i was very young - maybe 10? I’ve always remembered the movie - and I am the only person I know who did. Even my mother, who bought the album for me scheme encourage when, didn’t remember it. That is, until my obsession with proving its existence brought me to buying both the VHS and CD. This movie is pure camp. I understanding it as a spoof on other musicals, melodrama, and the overabundance of “ample versus harmful” provided by the contemporary Star Wars (the battle between Billy Shears and Maxwell Edison is simply delicate) . As a bonus, the Bee Gees, Peter Frampton, Sandy Farina, and Frankie Howerd all do renditions of classic Beatles’ tunes which are to be judged separately from the originals. No one will ever advise “Lucy” like the Beatles - but in the context of the movie, Diane Sternberg does an exceptional job that is independent of the classic. Aerosmith’s “Approach Together” actually can gain its contain with the modern. Personally, I reflect the movie is worth watching simply for George Burns’ softshoe version of “Fixin’ a Hole” - well, that and seeing Peter Frampton in that oh-so-sexy silver disco suit. It’s time to “Gather Serve” to movies that are fair tiring, fun, and Sgt. Pepper is a expansive starting point.
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